Performance is Alive: As We Say Goodbye: Some Final Moments at PPL by Polina Riabova. Highlights from the Final Event at Panoply Performance Laboratory. “In my dream there was a word. I didn’t know what it meant,” Mercado tells us as he gets out a white rectangular poster board and begins to finger paint. “There was this word,” Mercado says and the audience laughs as he completes his painting which says, simply, “WYRD.” Wyrd, pronounced as “weird” or “word”, means “fate.”
Another Trip to the Moon: Posted by the Facebook page of the Communications Media department at my alma mater Fitchubrg State University, here is one of my shorts from college circa 2007. As far as I know this is the only one of my surviving video art pieces from my school days.
Performance Is Alive: A SLICK AND GRITTY FUNDRAISER UPDATE – INTERVIEW WITH AYANA EVANS AND GERALDO MERCADO (an interview about the fundraiser organized by Ayana Evans and Performance Is Alive to help my family members affected by Hurricane Maria).
Bushwick Daily: NSFW: ‘wwwIII’ Blurred Lines Between the Digital and Physical Worlds. “A plastic tarp was laid out on the floor and a thorny crown was placed subtly on the back of a chair as if Jesus excused himself, but was coming right back.”
Hyperallergic: Dangerous Bodies on the Verge of Breaking Down. Amazing write up by Seph Rodney of my performance “It’s Going To Be Ok” from May 6th 2016 at Gallery Sensei during Performance Anxiety. “Someone you don’t know is present in front of you with more potential to break social codes than the other bodies typically encountered.”
Washington City Paper: Tim Regan writes about his experience watching all 25 hours of the 25 Hour Performance Art Festival at DCAC. Read his account of Geraldo’s performance “Bubblegum Bubblegum”. “Performer Geraldo Mercado kicks his own ass onstage in “Bubblegum, Bubblegum.” It’s hypnotic, violent, and downright spooky at times.”